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Autumn Focaccia

Sometimes a girl just wants to have fun! After several weeks of steaming, pureeing, simmering, gratin-ing, sautéing, freezing and preserving my favorite squash – the orange kabocha, aka red kuri or Hokkaido squash – (of which we had a most welcome glut this year thanks to our CSA), I decided to do something I had never done or seen done before: make squash flour and bake with it!
I chose a beautiful bright one…

…washed it, cut it in two, scooped out the seeds, steamed one half for dinner and grated the other half raw, unpeeled, in the food processor. After drying out the grated squash for a few hours in the dehydrator, I had colorful strands of crisp squash (actually quite tasty on their own) which I ground into flour. Half the squash above yielded about 300 g of “flour”.
Now what to do with it? I toyed for a few days with the idea of baking a triple pumpkin bread (pumpkin flour, pumpkin purée and pumpkin seeds) but it might have been led to tastebud overload. Besides I wanted to see how the color of the flour would translate into the crumb on its own.

So I made a simple focaccia with two preferments: a poolish and some liquid levain. Because I love the rustic taste of rye, I put a bit of freshly milled wholegrain rye in the poolish. I only used 10% of kabocha flour in proportion to the total dough flour and while it smelled exquisite when mixing and fermenting/proofing, the flavor had all but disappeared in the one focaccia we tasted (the other one went straight to the freezer). The one we ate had been sprinkled with thinly sliced leek white however. If there were such things as arm-wrestling matches between ingredients, leek would lick squash in a heartbeat! Wrong choice of topping, MC!
Next time I’ll skip the leek and increase the percentage of squash flour to 15 or 20%. Since it has no gluten, it doesn’t do much for the crumb but it doesn’t seem to hamper its development either and that’s basically what I had been wondering about…
Now some of you who may ask why I used two preferments (every time I do I get some mail or comment about that). The only reason really is that my liquid levain was bubbling on the counter next to the mixing bowl and it would have been a waste not to incorporate some of it. No huge brainstorm. Just an opportunity to make use of surplus levain.
Having never baked with pumpkin flour before and not knowing how it would behave, I had originally opted for a poolish instead of a biga (the traditional Italian pre-ferment for a focaccia according to Carol Field): if it helped itself to a large part of the water in the dough, I would end up with a brick. To minimize the risk, I went for a poolish which is equal parts flour and water.
Next time though, I may try and skip the poolish entirely. Breads made with natural starter have a much longer shelf life. Since we eat a lot of bread and usually have two or three kinds out at any given time to be enjoyed at different meals, my preference goes to breads which stay fresh for more than twenty-four hours.
Alternatively I may try and find out how William Leaman of Bakery Nouveau in West Seattle does it. His baguettes are fermented with a mix of poolish and levain and they do stay fresh! I kept half of one on my kitchen counter for almost two days (in a plastic bag) and it wasn’t a bit stale or dried out. It has to be more than just his magic touch. If I ever learn how he does it, I’ll report back. Meanwhile I’ll probably stick to levain (but of course it won’t be a true focaccia, will it?)

I had fun with the olive oil I used to “paint” the focaccie: seeking flavors that would enhance and complement the squash without overpowering it (no wrestling matches allowed), I picked rosemary and sage from the garden and used some of the chile I had bought fresh last fall from a Thai vendor at our farmers’ market, cut up and dehydrated. The oil infused while the dough fermented…




Ingredients (for two focaccie)

For the poolish

  • 250 g all-purpose flour, unbleached
  • 50 g whole grain rye flour
  • pinch of instant yeast
For the final dough
  • 700 g all-purpose flour, unbleached
  • 100 g kabocha “flour” (see above description of the pumpkin-flour-making process)
  • all of the poolish
  • 100 g mature white levain at 100% hydration
  • 480 g water (you may need more or less according to the dryness of the weather, your flour, etc.)
  • 22 g fine sea salt
For the olive oil “paint”
  • Your favorite extra-virgin olive oil (I like the fruitiness of Trader Joe’s Premium cold pressed EVOO, the one that comes with a dispensing cap attached to the neck of the bottle. I have searched high and low for olive oil over the years, seeking one that would be both tasty and reasonably priced. I tried many different supermarket brands, including all (and I mean all) of the ones sold at TJ’s and Costco. Tired of being stuck with less than satisfactory oils for weeks on end – it isn’t as if we could sample before buying – I now always reach for this one and it has never disappointed. I don’t have any shares in TJ’s or any incentive to promote any of their products. I just want them to continue offering the product as I don’t feel like going on an EVOO quest ever again!)
  • A mix of fresh or dry rosemary or sage
  • Little pieces of dried chile (in a pinch you might use a tiny bit (think half-a-teaspoon) of red pepper flakes but it might stick to the top of the bread and impart too much heat. The beauty of the little pieces of chile is that you can pick them out after baking if you just want the taste, not the spiciness)
For the topping (optional)
  • Thinly sliced leek (white part only) or onion
  • A pinch of Maldon salt
  • Grated cheese (if desired)

Method:  (because of the pre-ferments, this bread is made over two days)

The evening before mixing

  1. Prepare the poolish by mixing the flours and the water and adding a pinch of instant yeast
  2. Cover and leave to ferment at room temperature
  3. Feed you levain as you normally do
The day of the bake
  1. Mix the flours, the water, the salt, and the two pre-ferments (I started mixing by hand in a bowl but my wrists protested so I switched to my Kitchen-Aid mixer with the hook, on first speed)
  2. Mix until you start seeing some gluten development (check the gluten window and stop mixing as soon as you get the beginning of one. It should take less than five minutes in the mixer)
  3. The dough should  have medium soft consistency. Adjust hydration as needed
  4. Transfer the dough to an oiled container, folding the dough once after thirty minutes if you think it needs it
  5. Leave it to ferment for as long as it takes for the dough to more than double and stop bouncing back quickly when palpated with a finger (how long it takes is directly linked to dough and room temperatures. In my case, dough temperature was 71°F/22°C which was a bit on the low side and room temp was 65°F/18°C. In my countertop proofer, set at 75°F/24°C, it took the dough close to seven hours to finish fermenting)
  6. Transfer the dough to a floured countertop and divide it in two
  7. Stretch each of the two pieces of dough onto a semolina-sprinkled-parchment-paper-lined half-sheet and set to proof inside a large plastic bag (make sure to blow into the bag and close it securely so that the plastic doesn’t touch the bread) for about an hour and a half (or until the dough stops bouncing back immediately when palpated with a finger)
  8. When the focaccie are done proofing, dimple them all over gently with the tips of your fingers and use a wide pastry brush to “paint” them with the strained olive oil (leftover oil, if any, can be used to sauté potatoes or dress a salad)
  9. Sprinkle with the desired toppings (I used some of the oil-soaked rosemary on one and leek white on the other, bits of chile and some Maldon salt on both)
  10. Bake with steam on a baking stone in a pre-heated 400°F/204°C oven for about 25 minutes
  11. Cool on a rack and remove the toppings that you wouldn’t want to eat, such as rosemary leaves or pieces of roasted chile
  12. Enjoy!

The Autumn Focaccia is going to Susan for this week’s issue of Yeastspotting.

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November 4, 2012 · Filed Under: Breads, Breads made with starter, Recipes, Yeasted breads · 21 Comments

Meet the Baker: William Leaman

If I had to pick one word to define William Leaman, owner of Bakery Nouveau in West Seattle, Washington, it would be “flavor”. Flavor is William’s leit-motiv, his motto, his raison-d’être, his modus operandi, his way of life, and, let’s not mince words, his obsession. There is no way of knowing, at this stage, where it will take him next. But it is definitely taking him places, probably more places than he ever imagined when he won the World Cup in Paris in 2005 as captain of Bread Bakers Guild‘s Team USA.

When I first met William in early April, I had just returned from Paris where I had witnessed Team USA 2012 win silver at this year’s Coupe du monde and he was ebullient both at the victory and at the fact that his friend and former employee Jeremey Gadouas had been on the winning Team.
I saw him again in September when I took visiting friend Hannah Warren of Eden Valley Bakers in Freyeburg, Maine on a walking tour of West Seattle (one of my favorite parts of the city with fantastic views of Elliott Bay, the Seattle skyline and the mountains): on the way back, we decided to stop at Bakery Nouveau for lunch. While there she took a few pictures that she kindly agreed to let me use, so don’t be surprised if the copyright is hers on some of the photos below (thank you, Hannah!)
It was sheer luck that we happened to see William that day, giving me an opportunity to ask him if I could return and interview him for the Meet the Baker series. He kindly agreed and on a cloudy mid-October Friday  (the first grey day after a seemingly endless streak of magnificent dry weather which had some Seattleites yearning for good old rain), I went back to the bakery by myself.
This time I parked in the back which gave me a glimpse of the employees’ entrance…

I was early for my appointment with William and it was lunchtime. So I walked around to the front…

… and bought a jambon-fromage (ham and cheese) sandwich on baguette, my favorite, a throwback to my student days in Paris, my hometown, and proof that hope springs eternal in this nostalgic heart: in Parisian cafés (and bakeries), more often that not nowadays, there is no crunch to the baguette, the butter is carelessly spread and the ham tastes like salty wet paper.

One bite from Bakery Nouveau’s jambon-baguette though and I knew I was in good hands: not only was the baguette both crisp and moëlleuse (mellow) (not really surprising in a bakery whose owner was a world champion) but there was a hint of real French Dijon mustard over the thick layer of butter; crunchy slices of cornichons (tiny French gherkins) were nestled under the upper crust; the ham tasted as it must in heaven and the cheese had just the right amount of fat to balance the acidity of the cornichons and the heat of the mustard.
I was sharing a table with two other women and as we ate, we talked. One of the women had been living in West Seattle since forever and she remembered Blake’s, the bakery that had occupied that very space for four generations. Blake’s had made cakes, breads, breakfast pastries, chocolate, candy, etc. The last baker had been in his eighties when he had finally sold the business. She hadn’t patronized the old bakery much herself (not her style) but it had been a beloved fixture in the neighborhood. She loved Bakery Nouveau and stopped by regularly for lunch. She said one of her sons had lived in France and thought Bakery Nouveau was way above many of the French boulangeries-pâtisseries he had known.
Another woman, slim and petite, said she loved the selection of savory lunch items and was mostly able to resist the sweet offerings, except on special occasions. She too stopped by regularly for lunch, often with friends. She said the bakery had been entirely remodeled when William took over and had become an anchor for “the Junction” as the neighborhood is called. During the week the customer base was mostly local but on weekends, Bakery Nouveau was heavily patronized by downtown residents at lunchtime and by Eastsiders (people who live on the other side of Lake Washington) in the afternoon. It was never empty and everything was always fresh out of the oven. She pointed to a young woman coming in from the back carrying a tray of round spinach croissants which she proceeded to unload onto waiting shelves. I turned around for a better look.
Here is a glimpse of what I saw:
Delicate viennoiseries…


Carefully crafted breads…

Dreamy cakes…

Elegant chocolates…

I drooled. But by then, it was one o’clock. I said goodbye to my new friends and asked to see the Chef. He was upstairs making chocolates but he came down to greet me. I followed him back to the tempering machine and we talked as he turned out rows after rows of plump chocolates. He described the different types of cocoa he used and how he blended them and what their flavors were like. He showed me the cocoa butters he sprayed on the molds to give each creation its specific color and pattern. He explained about the mousses and the ganaches he used as fillings. My head was spinning. I never realized there was so much to know about chocolate.


The tempering machine stays on year-round at 120°F/49°C and is also used as an enrober. Customers go wild over chocolate-enrobed macarons, so much so the bakery only offers them at holiday time or William would spend the best part of each day making them. And much as he likes working with chocolate (a job he describes as so deliciously addictive that it feels like a hobby), he isn’t ready to make it his only interest: bread, pastry, chocolate, he loves it all with a passion.
The b… word! The one I had been waiting for! I pounced. William didn’t miss a beat. Yes, everything had started with bread but he had learned a lot from doing other things, which had helped with flavor profiling. Today bread remained important or rather it remained supremely important that it’d be excellent. To that effect, he trained his bakers himself and spot-checked quality regularly.

But Bakery Nouveau isn’t mostly about bread (which today accounts for only one tenth of its sales). Baguettes, croissants, Vienna rolls, miches, all have become platforms for savory flights of flavor the like of which West Seattle has probably never experienced before.
Because these platforms are of fine quality, William and his team (two of his assistants, Jay and Towner, have a solid savory background) are able to build on them layer after layer of tastes and aromas and the customers flock in: the savory program accounts for one third of all sales at the bakery. It also makes life decidedly more interesting both for the bakers and for the eaters: the bakers get to think up new flavor combinations and new bread pairings, the eaters are learning to relate to different flavors. Free samples are a big plus when introducing new products but word of mouth and online comments help too and it is immensely rewarding to watch the customers’ palates evolve.
As William recounts it, one of the reasons he and his wife Heather chose West Seattle when they decided to open a bakery in 2006 is that the area is surrounded by agricultural land and abounds in farm products. William has more than a passing knowledge of farms: he grew up in rural Arkansas where his grandmother ran an egg business. She was a good cook. At her farm, he learned the value (and the flavor) of fresh ingredients.
Today many of the ingredients for the savory program are farm-sourced but processed at the bakery. The bakers pick the bread or dough that will best showcase each of them and they run with it. Witness the gravlax of king salmon on 100% rye bread; or the roasted heirloom tomatoes heaped on a croissant base over a soft mix of sun-dried tomato pesto and bechamel. I saw Jay make the tart, topping the colorful fruit with caramelized onions and fromage blanc. I just couldn’t resist. I bought one to take home and share as an appetizer. The flavors played seamlessly together as if orchestrated by a maestro and it didn’t hurt that the product was gorgeous.

Pork may be brined overnight, roasted, then sliced very thin, and piled upon a traditional Vienna roll with pickled red onions that deliver an acidic note to the back of the palate. Chicken may go into the smoker, then be scattered on pizza dough with roasted garlic, a scattering of green onions, white sauce and mozzarella. Duxelle (a garnish of finely chopped mushrooms) may be spread onto roasted portobello, drizzled with balsamic vinegar and scooped into a nest of latticed croissant dough. Duck… ah, let me tell you about duck.

The first time I visited the bakery, duck legs had just come out of the oven and were resting on a bed of caramelized onions. “Duck confit”, said William casually as we walked by. I later learned that this home-made confit would be served on pavé au levain with pickled pearl onions, pickled mild mustard seeds, and a parsley-chive aioli.

Second time around, I saw coils of dark sausages on the counter: “Black pudding?” I asked. “Smoked duck,” came the answer. I wondered aloud where Bakery Nouveau sourced these rustic (and very French-looking) beauties. “We don’t source them, we make them ourselves”. Further questioning revealed that the sausages were made from fresh ducks bought whole, deboned, ground with carefully selected seasonings and spices, roasted and finally smoked. So far, so not-a baker’s job, right? Ah, but a baker can dream and that’s where an impeccable background in pastry-making comes in handy: William could conceivably wrap these sausages in sheets of puff pastry and sell them as ducks-in-a-blanket. But where would be the elegance? Or the fun? Or (gasp) the flavor?
So watch what he does: he takes his finest laminated dough, cuts it vertically in strips, pipes Dijon mustard on each strip, measures the sausages and starts wrapping…


Et voilà! Into the proofer they go… I longed to see for myself what they would look and taste like once baked. William generously offered to let me take some home but I didn’t want to risk messing up the proofing, thus compromising his work. Taking advantage of a BBGA class in the neighborhood, I went back to the bakery the next day, hoping to pick up some. They were sold out! The woman behind the counter said they went really fast and unless I came first thing in the morning, I had to order them. So I did.
We went back to the bakery the following Sunday to pick up the order.


Truth be told, I am not a huge fan of smoked duck. Still I have never eaten anything quite like this croissant-encased sausage. Because it has been rolled out in ribbons, the dough remains crunchy throughout: it explodes in the mouth in a burst of buttery crispiness which offers the perfect counterpoint to the slightly dry sausage. It probably wouldn’t work the same way with pork.
Now if you think this is slow food (and it would be hard to argue that it isn’t), wait and see what goes into the making of the kouign-amann.


As described on the bakery’s blog, a kouign-amann is “essentially pastry dough layered with butter and sugar which caramelizes as it bakes.” William is a firm believer in the triangle principle: each product needs one structure and two flavors. More than two flavors and you lose the storyline. Less than two and there is no story unless the main ingredient is stellar. The kouign-amann is perilously close to being an one-ingredient product: butter takes center stage both in the dough and in the filling. Being the star, it needs to perform flawlessly and to carry maximum flavor.
The bakery tried different commercial brands. None was up to the challenge. William approached local butter people. Nobody was interested in culturing butter for him. As a kid, he had made butter on his grandmother’s farm, so he ordered cream from a local dairy farm and tried his hand at it again. The butter came out wet and tasteless: the cream wasn’t rich enough.  He tried a few other local farms: “Their cream was like milk, I couldn’t make butter with it.” Not easily deterred, he kept looking. When he heard that an Oregon farmer was keeping one hundred Jersey cows in Southeastern Washington, he knew he had finally hit the jackpot.
Today he makes all the butter for the kouign-amanns himself, culturing heavy cream with flora danica until it turns into crème fraîche (depending on the amount of culture, it takes anywhere from sixteen to twenty hours at 80°F), then churning it into butter which adds an incredible flavor profile to the pastry. Since a by-product of butter churning is buttermilk, the process also yields enough buttermilk for the one hundred and forty German chocolate cakes the bakery bakes every week. Nothing goes to waste and tastebuds win all around.

 

A piece of baguette (still a bit warm from the oven) spread with freshly churned butter: the crunch of the crust, the complex flavor of the two pre-ferments (poolish and levain) in the crumb, the grassy aroma of the butter, its intense color – so yellow that it is almost green – reflecting the diet these cows are on (pure alfalfa), I can’t even begin to describe how unique the experience was… If Bakery Nouveau ever gets into the butter business, I’ll line up outside on churning day for sure. Meanwhile William kindly gave me some butter to take home. Not sure how best to use it, I put it in the freezer. Securely wrapped in plastic, it shines at me like a frozen sun every time I open the drawer and it makes me happy just to see it there. As if a direct connection had been suddenly established from our freezer to these Jersey cows in their alfalfa fields…
Back at the bakery, I reflected that for a baker to culture and churn his own butter was a lot of hard work and a serious commitment. But then as you probably already figured out, William Leaman is no stranger to hard work. I won’t go into details regarding his career as you will find an excellent profile of him in Pastry & Baking, 2011, issue number 6. The article is available online for free although you do have to register.
Suffice it to say that he acquired his many skills the hard way and mostly on the job: there was never any money for school as he was growing up. He actually considers himself lucky to have grown up poor in Arkansas, thus acquiring a work ethic that has served him well.
To this day, he thinks that learning on the job is the best way to go for a young baker. His apprentices come from all over: Georgia, Alaska, Japan. They spend two years learning the ropes, moving from station to station: bread, viennoiserie, desserts, chocolate, bake station. He prefers to hire apprentices who haven’t been to school: there is no need to correct or re-direct. They save money by not going to culinary school and they learn more. In four or five years, they figure out what they’d like to focus on more and then take a week-long or a two-week long class with a professional: William himself once worked for six months with Didier Rosada and recalls vividly that two years later he was still processing the seeds of the experience and learning from it.
He tries to have different people responsible for different products but at the same time, he also tries to cross-train them. Nicky has worked his way from dishwashing to bake station to cake and now to bread. He has two degrees in economics and wants to open a bakery in Mexico City. William sees the value of training people who can give back to their community and their family: “I consider it as tangible a gift as flour or dough in your hand”.
Speaking of dough, William knew I was eager to see him do some shaping and since he loves rolling out baguettes, he agreed to demo his technique for me. Ever the teacher, he even had me rolling dough at his side! My first baguette fought me from start to finish and I was mortified (I don’t know of a more humbling experience than trying to emulate a champion at what he does best!) but he was very kind.
He had me palpate my reluctant baguette: “Can you feel its spine right there?” I could. “Well, it shouldn’t have a spine. A spine means air pockets. If you flatten the dough before rolling the baguette, you’ll get rid of these bubbles and you’ll have no problem.” And you know what? He was right. Of course! How could he not be? The next half-dozen baguettes literally sprang from my fingers as by magic (not as pretty as his but still better than any I had every made before). Thank you, chef!

As we worked, he talked some more. He said that he purposely put in a small oven when he remodeled the bakery so that products would have to be baked fresh all day. As he sees it, freshly baked products draw in customers: when he was dreaming up his bakery, he envisioned people queueing up. He wanted the same lines outside Bakery Nouveau as outside the Kayser bakeries in Paris. Judging from the people massed at the door on a recent Sunday, he has achieved his goal. Numbers confirm it: an average of five hundred and sixty two people make their way through that door every day and on weekends the bakery sells eight hundred and fifty pieces per day.

I said that William was going places with his flights of flavor and he is. He recently visited the labs at Modernist Cuisine and came back awed, fascinated by the sous-vide, curious to explore ways in which the technique could help infuse meat with flavor or to see for himself if extracting oxygen from ganache filling might concentrate the flavors of the chocolate or the fruit puree. Modernist chef Johnny Zhu came to the bakery where he spent two days making bread. Who knows what will come out of that line of research?
But then, as William reminded me, “nouveau” is a French word which has been officially part of the English language since 1813. It means “newly developed.” He chose it as the name of his bakery because it accurately describes his business philosophy: innovation through quality craftsmanship, the only limits being imagination and commercial common sense. I for one fully intend to keep an eye on what William Leaman comes up with next. My tastebuds are fully ready for the ride. Besides, with a bit of luck, baguettes sous-vide will be clear of air pockets…

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November 1, 2012 · Filed Under: Artisans, Videos · 20 Comments

Sourdough Chocolate Bars

Bread and chocolate… A traditional afternoon snack for French schoolkids. When we were growing up in Paris, we used to stop at our neighborhood bakery for a baguette on the way home from school in the afternoon. My mom would break off pieces for the four of us, stick four squares of chocolat Kohler into each one (she had nothing but scorn for two competing chocolate brands, Poulain and Menier which she deemed ordinaires) and we’d be in business.
I loved getting the pictures which came with each tablet and glueing them in themed albums (that the company would send against a set number of proof-of-purchase seals). Sometimes there would even be a raffle and even though I never won anything that I can remember, I was a huge fan of the brand as well and happily ate my snack every day (my album collection grew at a fast clip because my three brothers devoured their bread and chocolate with as much gusto as I did but considered it beneath their male dignity to show the slightest interest in the pictures).
The albums are long gone. These days, I buy our chocolate at Trader Joe’s  and afternoon snacks are the stuff of memory. Nevertheless my interest was instantly piqued when I spotted a recipe for sourdough chocolate bars in sated, a new print-on-demand quarterly.
Sated (which I am tempted to describe as the ultimate foodie magazine) is the brainchild of two famous food bloggers, pastry expert and cookbook author Anita Chu of Dessert First and food+travel photographer Stephanie Shih of desserts for breakfast. The whole glorious first issue is devoted to dark chocolate and it doesn’t disappoint: it is full of tips, stories, addresses and luscious photos that make you want to go straight home and temper away even if you have never had the slightest desire to do so before… (If you are interested in finding out more about sated and its editors, you may want to check out the review/interview posted on The Foodie Bugle which is where I first heard of the magazine).
The recipe calls for 60-70% cocoa chocolate. I used 71% Valrhona which is rather on the dark side and certainly not for the faint of heart. My chocolate aficionada in-residence pronounced it perfect, so I won’t dial the cocoa percentage down. But if I were making these bars for myself, I’d probably go for 60%.
The recipe also calls for a sprinkle of sea-salt. The Man doesn’t like the salt and sweet combo. So I stayed away from the extra salt. Even so he found the sourdough bars too salty (just from the salt in the bread). Next time I will sprinkle sea salt on the chocolate as indicated (since we all love the sweet and salty taste except for him) and I’ll make him a treat that he will enjoy more.
It was my first time trying to make anything chocolate other than cookies or cakes or the odd truffle. The bars I made don’t look like anything a pro would make (oddly, sated doesn’t show a picture of the finished product for this particular recipe, so it’s hard to know what to shoot for, looks-wise). However I didn’t hear any complaints about the little holes which doted the sides or the less than clean-cut edges.
These bars are all about having fun using your leftover bread and making your chocolate people happy!  Plus they are crisp and very, very good. Thank you, Anita and Stephanie, for kindly allowing me to post the recipe!




Ingredients: 

  • 70 g sourdough baguette (I actually used slices off a sourdough boule)
  • 225 g dark (60-70%) chocolate (I used Trader Joe’s 71% Valrhona dark chocolate)
  • sea salt

Note: The ingredients are listed above in half the amounts indicated in the magazine. Even so I ended up not using it all because my one mold (a gently used professional one which was given to me by a friend) only makes four 25 g bars. Before proceeding and making more, I wanted to make sure the bars met with my tasters’ approval. Now that I know they do, I will re-temper my leftover chocolate and forge ahead or should I say… melt away?

Method:

  1. Slice sourdough into 1/4-inch slices
  2. Place slices on a baking sheet and bake for about 8 minutes, flipping halfway through until the bread is dry and lightly toasted (I used the dehydrator which probably took away some of the taste because there was no caramelization. Something to think about for next time…)
  3. Remove from oven
  4. Place sourdough slices in a food processor and process into small crumbs
  5. Finely chop the chocolate and set aside one-third of it
  6. Place the remaining two-thirds in a bowl and set the bowl over a saucepan of simmering water, making sure the bottom of the bowl doesn’t touch the water
  7. Allow the chocolate to melt, stirring occasionally
  8. When the chocolate has fully melted and has reached just above 105°F/221°C, remove the bowl from the saucepan, dry the bottom of the bowl with a dish towel (presumably to remove any hot water drops) and stir in the reserved chocolate until the temperature drops to 88-90°F/31-32°C
  9. Carefully remove any unmelted pieces of chocolate and set them aside (for use in another tempering session or another recipe)
  10. Pour the chocolate into the mold cavities
  11. Carefully sprinkle the sourdough crumbs over the chocolate, followed by a sprinkling of sea salt (if desired) (about 1/2 teaspoon for 28 g of chocolate)
  12. Tap the molds gently on the counter to get rid of any air bubbles (I still got some on the sides)
  13. Use a metal spatula to carefully scrape away any extra chocolate around the molds
  14. Place the molds in the refrigerator for 15 to 30 minutes
  15. Remove when the chocolate looks set and firm and the edges begin to pull away from the side of the molds
  16. Turn the chocolate bars out onto a clean surface
  17. Enjoy!
The Sourdough Chocolate Bars are going to Susan for this week’s issue of Yeastspotting.

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October 23, 2012 · Filed Under: Desserts & Sweets, Recipes · 10 Comments

World Bread Day 2012: Pear and Spelt Bread

Today is World Bread Day 2012 and to celebrate the renewed interest in artisan bread-baking throughout the world, I am happy to participate in the bread roundup with this flavorful Pear and Spelt Bread from Hanne Risgaard’s gorgeous book, Home Baked – Nordic Recipes and Techniques for Organic Bread and Pastry. The recipe is on page 142 and originally titled “Pear and Sourdough Bread.” I adapted it slightly, using freshly milled whole spelt instead of sifted spelt flour and no commercial yeast at all (the recipe calls for fresh yeast).

World Bread Day 2012 - 7th edition! Bake loaf of bread on October 16 and blog about it!

We share a pear tree with our neighbors and even though the tree is technically in their garden, they kindly let us pick the fruit on their side of the hedge as well as ours. I make jam and jelly as well as galettes and crumbles and we all share in the bounty. This year, I received Hanne’s book when the tree was at its most prolific and I knew I had to make the bread. What a treat! 

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October 16, 2012 · Filed Under: Bread Events, Events · 23 Comments

Giant Kabocha Scone

It all began with a word, potimarron, which is the common name in French for scarlet kabocha (also known as red kuri squash or orange hokkaido squash). That word may not look or sound like much to non-native French speakers, but to these French ears, it evokes two of childhood’s cold weather pleasures, pumpkin (potiron) and chestnuts (marrons).
We didn’t have jack-o’-lanterns (or potimarrons for that matter) in France when I was growing up but my grandfather grew huge potirons (Cinderella pumpkins) in his vegetable garden (my grandmother made sweet pumpkin soup every fall) and the fragrance of roasting chestnuts was ubiquitous in Paris in late fall and winter: as soon as I was old enough to go to my weekly piano lessons by myself, my mother would give me a few coins so I could buy myself a cornet de marrons chauds (a paper cone of hot chestnuts) when I exited the métro at Place de l’Étoile. I would stick the hot cone in my coat pocket and one of my hands would remain warm all the way down Avenue de Wagram where a bitter wind always chilled me to the bones.
I remember the chestnut man too. He was dressed all in black and wore a thick tweed cap with flaps that covered his ears. He rubbed his hands constantly and when he removed one of his knit gloves to rummage for change in the tin box where he kept his money, I could see that his fingertips were red. As I left clutching my cornet deep inside my coat pocket, I could hear him start calling again in a singsong: “Chauds, chauds, les marrons chauds…”(Hot chestnuts, hot chestnuts) and while I dearly loved my white-haired and soft-cheeked piano teacher, this scratchy little tune has remained alive in my memory when, sadly, her polkas, sonatas and mazurkas have long since sunk into oblivion.
So when I first heard (or read, I can’t remember) the word potimarron and long before I had a chance to see or taste the actual squash, I was already under the spell. When I finally managed to get my hands on one of these bright beauties, the spell worked its magic and I fell in love.

Of course the kabocha is an easy squash to love. Since its skin is edible, while it does have to be washed, it doesn’t have to be peeled. It can be sliced open, seeded, then steamed or roasted. It can also be cut into chunks and added to a soup where it boils happily with other vegetables. It cooks rather fast in fact. Its flesh is both creamy and dry and does taste a lot like buttery chestnuts. It is also choke-full of vitamins, fiber and oligo-elements.
For all these reasons, when I saw a potimarron cookbook in a bookstore in Paris last March, I couldn’t resist, all the more because its author was Cléa, a French blogger I greatly admire for her imaginative and flavorful cuisine. We now live in a part of the country where kabochas are commonly grown (among many other beautiful and tasty winter squashes) and having so many creative kabocha recipes at my disposal means we can take full advantage of this local crop without ever feeling bored or tired.
Witness the giant scone breadsong  and I made for breakfast a couple of days ago. She was in town for a BBGA-sponsored baking class which I also attended and she stayed over at our house. I did the mixing and breadsong kindly did the shaping, giving me a personal demo of her scone hand-“laminating” technique (she normally shapes the dough in a rectangle but it is easy enough to reshape it in a circle once the “laminating” is done).
It was indeed a learning experience to see breadsong at work: seemingly heeding secret orders, the dough shaped up for her in a way it may never have for me. I had thought it was really dry and would require the addition of buttermilk or yogurt but breadsong said, no, it would come together as it was and she was absolutely right, it did. Sheer mastery! Thank you, breadsong, I will always trust crumbly scone dough from now on and also, always, always, “laminate”as it does indeed make for a much airier texture. My heartfelt thanks to you too, Cléa, for being a fellow kabocha lover and for sharing your many ways of enjoying this magnificent squash! 

Ingredients:

  • 125 g cooked kabocha puree (I steamed big chunks of the unpeeled kabocha, then ran the cooked squash through the foodmill. I tried using the food processor but it wouldn’t work: I would have had to add some liquid, which I didn’t want to do)
  • 20 g olive oil
  • 50 g fresh goat cheese, crumbled (Cléa used fresh sheep’s milk cheese but I didn’t have any)
  • 1 egg
  • 100 g emmer flour (I milled emmer berries I had on hand. If you don’t have access to emmer, you may want to replace it with all-purpose flour or white whole wheat flour or equal parts of all-purpose and regular whole wheat flour)
  • 150 g oat flour (Cléa uses corn flour but I didn’t have any)
  • 10 g baking powder
  • 6 g sel
  • 25 g dried apricots, chopped
  • 25 g hard sheep’s milk cheese, grated (I used a Basque cheese but I suspect Manchego would work fine too and it may be easier to find)
Method:
  1. Pre-heat the oven to 350°F/180°C
  2. In a big bowl, mix together the kabocha puree, the oil, the goat cheese and the egg until mostly incorporated (I used a fork)
  3. Add the apricots and the hard cheese
  4. Transfer to a work surface and quickly work the dough into an 8-inch circle (it will look impossibly crumbly at first)
  5. Cut in six with a dough cutter without detaching the slices
  6. Bake for 30 minutes
  7. Enjoy warm or cold (it will keep well for a few days in a ziploc bag).

The Giant Kabocha Scone goes to Susan for Yeastspotting.

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October 16, 2012 · Filed Under: Breakfast, Quickbreads, Recipes · 5 Comments

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My name is MC: formerly a translator,  now a serious home baker and a blogger. If you like real bread and love to meet other bakers, you are in the right place. Come on in...

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