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Meet the Baker: John Tredgold

At first glance, John Tredgold, who prefers to be called JT, may seem an unlikely candidate for an artisan profile on this blog since he is Director of Bakery Operations at Semifreddi’s, a large Bay Area bakery which is justifiably proud of its “handcrafted bread & pastries” but makes no claim whatsoever to artisan baking.

The truth is however that JT leads a double life and that, in his other life, he is one of nine artisan bakers selected in 2009 to train for the North American Louis Lesaffre Cup competition which will take place in Las Vegas this coming September.
Together these nine bakers form the Bread Bakers Guild Team USA 2010. Each of them specializes in one of three categories: Baguette & Specialty Breads, Viennoiserie and Artistic Design. JT is a member of the Baguette & Specialty Breads sub-team.
If the US wins the Lesaffre Cup, then it also wins the right to compete in the Coupe du monde de la boulangerie (Bread World Cup), an event that it is to the world of baking what the Olympics are to the world of sport. There is no guarantee that the present members of Team USA 2010 will be chosen to represent the US in Paris. However they might be.
So JT has a fighting chance to follow in the tracks of the legendary US artisan bakers who, in 1996, won first place in the baguette and specialty breads competition, upsetting the French, and took the gold both in 1999 and in 2005!
Now, how do you get from a semi-industrial bakery in Alameda, California, to a spot on Team USA? Well, it is a long story, one which begins in the United Kingdom in the 80’s when JT, then aged 14 and a British citizen, started working in a bakery. Bread was pretty awful in the UK at the time however: “bland” was probably the kindest adjective that could be used to describe it. There were no real possibilities for apprenticeship.
So, in his late teens, JT decided to try his luck on the other side of the Atlantic. He first found work decorating Baskin-Robbins cakes at a New England mall. Although he did enjoy the job, he quickly moved on. After a few return trips to England, 1993 found him on the West Coast where a Help Wanted ad in a local paper pointed him towards Semifreddi’s, a much smaller operation then than today. JT was hired as a shaper, a job for which his British work experience had prepared him well .
JT shaped breads for one year. But he wanted to work the deck and rack ovens. He wanted to supervise a crew. So he kept pushing and learning and climbing up the ladder and eventually, in 2000, he was offered the job of Director of Bakery Operations when it became available.
Semifreddi’s was then struggling with expansion and quality. Some things were not being done exactly right on the production floor but it was difficult for JT to pinpoint which ones. So he registered for the Artisan I workshop at SFBI and after taking the class and talking things over with Michel Suas and other instructors, he was able to convince Semifreddi’s owners to invest some time and money and implement a few changes.

Today the company makes 35 different products and a dozen pastries daily. Every day, there are problems to solve: training issues, lack of focus, lack of understanding. JT’s job is to make sure production happens. Although production baking has very little to do with new formulas, he never loses track of his artisan training and always tries to push knowledge in the production line, striving to show that if a slightly different approach were to be implemented, then the product would improve. All the managers are required to attend one training session at SFBI every year (paid for by the company), so the knowledge base is much stronger today among the bakery operators.
By 2002, JT was managing the bakery but sorely missed having his hands in the dough. He was among the spectators who saw Japan win the gold at the Bread World Cup while the US came silver. More than anything, he wanted to be part of the team. So, the following year, he went back to SFBI where Didier Rosada – the US Team coach – was an instructor and asked him if he would watch him make three breads and tell him whether or not he had a chance. Didier watched. JT wasn’t ready.
Back in Paris in 2005 to attend the competition again, he witnessed the stunning US victory and came back more determined than ever to make it to the World Cup but life intervened and he wasn’t in Paris in 2008, not as a team member nor even as a spectator, to see the United States lose to France, Taiwan and Italy by a fraction of a point, securing a 4th spot but no medal.
With more experience and training under his belt, JT decided in 2009 that he was ready and he registered for the Draft for Team USA 2010. The audition process for the team took the shape of regional workshops during which Team USA alumni judged the candidates’ skill, adaptability and teamwork. For JT and other candidates in the Western US, the workshop took place at the California Culinary Academy in downtown San Francisco, California.
Each candidate was required to bring six formulas in Excel format with baker’s percents, one of which he or she would be requested to bake from. They were allowed to bring their own levain. Each audition workshop was three-day long.
On the first day (a half-day), the candidates were split into groups and asked to prepare preferments for the day after. JT was asked to make a 100% whole wheat basic loaf, a basic baguette (with poolish) and a basic rye bread (with medium rye flour). The candidates were told they could change the formulas if they liked. They had 30 minutes to prepare before starting.
On the second day, the teams were asked to mix, shape and bake. JT says: “It was pretty stressful, not only because of the pressure but because you didn’t know your partner. A lot of important decisions had to be made as to the mixing (in JT’s opinion, more than flour and temperature, it is when you choose to stop mixing that influences the bread), the amount of water to use, the length of the fermentation (JT favors a long one, adjusting the temperatures accordingly afterwards) and the baking , and you didn’t know whether you could trust your partner’s instincts. Also all the mixers were Hobarts, there was no retarder and you had to make do with a lone electric deck oven which didn’t function properly (a few of the decks had no steam). It became clear that the judges were looking for how you would behave, accept responsibility and errors, etc. Could you handle things when they start to go wrong?”
At the end of the second day, each candidate was told which of his or her own formulas he or she would have to bake the following day. In JT’s case, the judges picked the 85×3, an aromatic country wheat bread made with 0.85% ash flour and three different preferments. Another candidate made a beer bread, another yet an olive bread. Some had submitted formulas with strongly flavored ingredients and JT remembers wondering if the flavors would be overpowering, preventing the judges from distinguishing the grain’s aromas. Each formula had to be baked in three different shapes.

JT mixed his dough and once mixing was over, he felt a little more relaxed, knowing that he was on the right course and that the bread would say what he wanted it to say, despite the challenges with the oven. When it was time to bake, he was in full production managing mode, staggering and organizing oven times so that each candidate could start his or her bread in a properly steamed oven, switching to a no-steam deck as soon as maximum oven rise was reached.

(photo kindly provided by BBGA)

At the end of the day, the instructors evaluated the products and provided a critique. They based their final decision on the technique, work habits, attitude and creativity of each candidate but also of course on the quality and taste of the final product.

The draft workshop which JT attended took place in May but he didn’t learn until October that he had made the team (the results of all regional workshops had to be in before the judges could make a decision).

Now that JT is on Team USA 2010, he needs to practice, practice, practice. As it is not always easy for the candidates to find time to train during the workday, training sessions are organized, which all candidates are required to attend.
The first one, Baguette Practice, took place on the last weekend of February in San Francisco. Already back East by then, I sent JT an email to find out how it went. His reply left me gasping for air: “It was sink or swim. I had never done anything like this before. Mike & Roger were calm and relaxed, I felt good. Planning & timing became key components immediately. No time to waste , no time to spare, everything fluid & precise, 200Kg batches of dough are more forgiving than 5kg. My first dough was too wet, make a decision, move on. Second dough better, elastic, good temp. Next step. Never panic & never give up. 8 ½ hours later, the first practice was done…” Wow! Did he stop to breathe when he wrote that, not to mention during the whole practice session?
JT told me that bread was constantly on his mind: “Everything is mental, you know. I practice in my head a lot. I think about what I did, where I placed my hands. Did it make a difference? Did I do this or that because every one else was doing it or because the dough needed it? It is essential to learn how to read the bread and the dough. So, in my head, I run a virtual practice session all the time.”

In many ways, JT’s passion for bread reminds me of Gérard. For both, the only bread that matters is the one leavened with levain. Both are at the same time totally committed and totally zen in their relationship with the dough. Both believe that less is more, that the dough must be handled as little as possible. Both are bakers, first and foremost. Eveything else in their lives gravitates around that.

As JT believes that his 85×3 (click on the link to see the formula) helped win him a spot on Team USA 2010, he decided to bake it for Farine readers and have me taste it. At first bite, I loved the crust and crumb textures but I wasn’t sure I could taste all the aromas. But then I let it rest overnight and boy, had it improved! At 8:00 AM the following day, it was delicious. At 11:00, it was truly fantastic, in the same league as Gérard‘s bâtard or Vatinet‘s baguette. Same thing happened when I tried the formula at home: it was excellent the first day and it kept getting even better as the hours passed.

I wonder if this has to do with the fact that the crumb seems a bit moist when one first slice through a loaf. The flavors become more apparent when it dries up a bit. JT turns off the oven after 30 minutes and leaves the bread another 15 minutes in the oven with the door open. I forgot to do it but I’ll give it a try next time.
JT was kind enough to allow me to shoot videoclips as he worked. So if you are curious to see a champ at work, by all means take a look!

Related post: JT’s 85×3

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April 20, 2010 · Filed Under: Artisans · 7 Comments

A Parisian Bakery: Le Quartier du pain

Here I am back in Paris visiting with my Mom. The wind is icy under a limpid sky and as I wrap her in soft woolens before stepping out (shawl, blanket, scarf, hat, gloves and mittens), I remember snowy winters long ago when she helped me bundle up my toddlers, neither of us suspecting that one day I’d be doing the same for her.
Growing older makes it much easier to distinguish patterns and cycles and I like to think this increased awareness imparts greater wisdom but I find it bittersweet too: my Mom no longer remembers helping me with the kids…

Align Center

She likes to go check on the Eiffel Tower – which was built in 1889, the year her father was born. So that’s what we do: we start our tour by paying our respect to the Iron Lady (the Awful Tower as one of my grandsons, then 5, thought it was called) and then we patrol the streets. I hunt for bakeries. She doesn’t mind: as often as not she likes what she sees in the window display and we decide to go in and buy a tart or an éclair for her afternoon snack. Even though she is less and less interested in the actual act of eating, she enjoys holding on to the delicate paper dome that houses her pastry and actually looks forward to having a bite later.

Today our walk takes us to Le Quartier du pain, 74, rue Saint-Charles in the 15th arrondissement. The bakery is owned by Frédéric Lalos, a master baker who won the title of Meilleur ouvrier de France, aka MOF (Best Artisan in France) in the bakery category at age 26. I own his book, Le Pain, l’envers du décor (a French-English edition) (although I haven’t baked from it yet).

I had been curious to taste Lalos’ bread ever since I heard a friend of mine, who is passionate about baking (she is in her second year of baking school in Paris), rave about it. So we went in. I bought a pavé au levain and a longuet as well as two small tarts: pistacchio-cherry and chocolate.

The longuet (currently the bread of the month) is fermented with a wheat- and dried buckwheat (sarrasin séché)- levain. It is crisp, airy, fragrant and rustic, utterly delicious, a true “signature bread”.

By contrast, the pavé au levain is a bit bland for my taste. Delicate and unassuming with no hint of acidity, probably the perfect foil to a subtle dish, it wouldn’t be my first choice but then, you know me, I don’t really look for shy in a bread…

Many more breads are on display and I would love to take a picture of them all but only one photograph is allowed inside. We will have to come back…

It will be a pleasure. Le Quartier du pain is one of these blessed bakeries where the customer peeking beyond the shelves can actually see the mixing, the shaping and the baking. Also it features something which is a first for me, i.e. a machine with a big slot into which the customer inserts coins for payment. Change is automatically dispensed. Since most people use coins to pay for their baguettes, I suspect that, hygiene-wise, this is a big step-up and I like the fact that it matters so much to Lalos that he went to the trouble.

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March 11, 2010 · Filed Under: Bakeries, Paris, Travel · 6 Comments

Brioche Tatin

Not everybody is a chocoholic (I know I am not, even though I do enjoy a piece of dark chocolate once in a while) but I don’t know anybody who doesn’t love caramel and now that I have learned to make it the dry way (check out this post for a description of the method), I plan to make it much more often.
I had two-day-old brioches on hand (that’s actually what gave me the idea to make this dessert) but challah would work just as well or even slices of whole-grain pan bread which might have dried out a bit. Pan d’oro would be divine of course, but I can’t imagine ever having stale pan d’oro lying around…

Add one or two apples and some sugar and you are all set for a very delicious and very romantic dessert. All things considered, why not say it with apples, this Valentine’s Day? I know I will. But then I’ll say it with chocolate too. Better be safe than sorry… 😉

I didn’t weigh anything but here is what I used:
2 individual brioches, slightly dried out
1 and a half Golden Delicious apple
1 tbsp of butter (for the pan)
1.5 tbsp of dark brown sugar
6 tsp of granulated sugar

After preheating the oven to 450 F, I peeled and sliced the apples thinly, buttered a 9″ tart pan and dusted it with brown sugar before arranging the apple slices in a pinwheel on the bottom, then I set the tart pan in the oven for 10 minutes.
While the apples were starting to bake, I sliced the brioches (not too thick not too thin, about 1 cm is fine) and set a small saucepan with a heavy bottom to heat on the stove. When it started smoking, I threw in one teaspoon of granulated sugar. It melted very fast, so I added a second teaspoonful and swirled the saucepan some. I progressively added the rest of the sugar, swirling constantly, sometimes taking the saucepan off the heat to slow down the coloring.
When I figured I had enough caramel, I stopped, took the pan out of the oven, drizzled the caramel over the apples and arranged the brioche slices over the whole thing. I turned the oven down to 350 F.

The pan went back in the oven for 20 more minutes. When it came out, the brioche was golden and the smell was heavenly.

All that was left to do was to flip the tart over on a plate. It was actually easier to do that I thought it would be because most of the apples remained stuck to the bottom, which made it child’s play to take them out with a spatula and arrange them prettily on the waiting brioche slices. Et voilà, a brioche Tatin!

If you like, you can serve it warm with vanilla ice-cream. But you don’t have to as it is delicious on its own and at room temperature.
The Brioche Tatin goes to Susan, from Wild Yeast, for Yeastpotting.

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February 10, 2010 · Filed Under: Desserts & Sweets, Recipes · 6 Comments

Chocolate Tarts with Salted Caramel

I attended the Focus on Tarts workshop this weekend at the San Francisco Baking Institute and I loved it. I don’t normally eat or even like sweets, so the tastings didn’t transport me into taste-bud heaven as they occasionally do when the subject is bread, but we made some fantastic looking tarts and I am eager to try my hand at them again for family and friends, maybe starting with this lovely dessert for Valentine’s Day.
The tart is made with a “pâte sucrée” (sweet dough) shell in which 20% of the flour has been replaced by cocoa powder (according to Juliette Lelchuk, our most knowledgeable instructor, it is best to use Dutch-processed). Once baked, the shell is filled first with salted caramel, then with chocolate cream (“crémeux”) and finally with a glaze.
Juliette demonstrated the dry method of making caramel, which is faster than the wet one and somewhat less involved as you don’t have to paint the side of the pan with water to keep the sugar from crystallizing. You do however have to be on standby and swirl the pot vigorously to help the melted and unmelted sugars combine more readily.
The pot is pretty sticky when you get done but it cleans easily if you put it back on the stove and boil some water in it.
The proportions are for 8 to 10 individual tarts and I leave it up to you to adjust them up or down for the number of tarts you actually want to make. Since many of the components will keep for a while refrigerated or frozen, my instinct would be to go for broke and plan for all 10 of them!

Pâte sucrée (Sweet dough)

Ingredients:
140 g all-purpose flour
75 g powdered sugar
35 g cocoa powder (preferably Dutch-processed)
35 g almond meal (optional, makes the dough more tender, can be toasted for a different flavor)
80 g butter, cold
1 g salt
60 g egg yolks, cold from the refrigerator

Method:

  1. Sift the dry ingredients and place them in a food processor
  2. Cut the butter in small cubes and add to the dry ingredients, using brief pulses to mix until sandy
  3. Add the yolks and pulse again briefly just until the dough comes together
  4. Wrap the dough in plastic wrap after forming it into a ½-inch thick square and reserve in the refrigerator for a minimum of 4 hours but preferably overnight
  5. Roll and divide the dough (it needs to be cold) without going too thin, especially as it is going to blind baked (i.e. baked without a filling), keeping in mind that for each 6″ tart, you will need a 8″ disk of dough
  6. Line each mold or circle by first centering the dough over it, then lifting up the sides of the dough and dropping it in. Don’t create tension or the dough will shrink. Go in and down all the way around, making sure that the edges and the bottom are at a sharp angle, never stretching. If you see a thin spot, patch it up with a bit of extra dough
  7. Refrigerate for at least 30 minutes to minimize shrinkage during baking
  8. Trim the edges, keeping in mind that the dough always shrink a little bit, which means you must work at an angle. Use a small spatula and make a series of small swiping motions (not sawing) with its very edge, working from the inside of the tart towards the outside. If the dough is too soft to be trimmed easily, put it in the freezer for a few minutes before proceeding
  9. Dock and bake at 350 F/177 C for 15-30 minutes (depending on size and thickness)
  10. Once the shells are baked and cooled down, put them in the fridge or freezer till you are ready to use them.
Chocolate Crémeux

Ingredients:
255 g heavy cream
25 g sugar
115 g 60-65% dark chocolate, chopped (do not use a chocolate with less than 60% cocoa content or a milk chocolate or the crémeux will have too soft of a set and don’t go higher either or it will be too bitter)
60 g egg yolks

Method:

  1. Bring cream to a boil (or at least a simmer) over medium heat
  2. Meanwhile whisk together the sugar and egg yolks without incorporating air
  3. Once the cream comes to a boil, pour 1/3 of it into the yolk mixture, whisking constantly. Whisk this mixture back into the pot.
  4. Reduce the heat to medium low and continue to cook, stirring constantly with a rubber spatula, to 180 F/82 C (don’t go over that or you’ll get scrambled eggs)
  5. Remove from the heat and immediately pour through a fine mesh strainer over the chocolate in a shallow bowl (just in case there are tiny bits of egg). Allow to stand for 1-2 minutes so the chocolate can fully soften (the bowl must rest on a trivet or a dry towel, especially if the counter is cold)
  6. Beginning in the center of the bowl, stir gently in one direction to create a stable, shiny emulsion
  7. Gradually stir in broader circles, to incorporate the cream at the edges of the bowl
  8. If using immediately, first cool (to 100-105 F/38 – 41 C) until slightly thickened . The crémeux can also be refrigerated (for up to 3 days) or frozen (for up to 2 months) and then gently rewarmed in the microwave or in a double boiler (you can also mix the whole thing with an immersion blender working from the center to the outer edges)
  9. Cover with saran wrap (directly on the cream) to avoid skin formation
Salted Caramel
Ingredients:
90 g sugar
45 g cream
30 g butter
3 g salt (I will use 2 g only on my next try as I found the caramel a bit too salty. If you try the recipe, let me know what you think)
2 g vanilla extract

Method: (use a medium-size heavy skillet or saucepan with a broad surface area so that the sugar can spread and cook evenly. The pan needs to be large enough because the cream can splatter when added to the sugar. Don’t use a dark pan or you won’t be able to judge the color of the caramel)

  1. Heat the saucepan empty until pretty warm
  2. Meanwhile heat cream, butter and salt in the microwave (or in a small saucepan)
  3. When the pot is hot (with stove on medium), add a tiny amount of sugar. It will melt very fast. Add another tiny amount and shake the pan (but do not stir or the sugar might clump).It is okay to get a small amount of color at this point but if the sugar burns, it means the pot was too hot and you’ll need to start over. Conversely if it doesn’t melt, let it rest a while longer before adding more
  4. Continue adding sugar in small quantities and swirling the pan around
  5. When all the sugar has melted and there are no lumps, reduce heat to low and stir (even pull the pan off the heat for a few seconds but continue stirring), using a heat-resistant spatula
  6. When the caramel is a dark reddish brown and starts to smoke (be careful because it will quickly become bitter if you wait longer), add a very small amount of the cream mixture (about 20%), stirring pretty vigorously and taking care to avoid steam burn.
  7. Gradually add the rest of the cream, stirring constantly (the ideal is for the cream to be quite hot when you start adding it, however you must take care not to heat it up so much that it starts steaming and evaporating)
  8. Once the caramel-cream mixture off the heat, add the vanilla
  9. Let cool on a trivet. It is going to thicken up a bit (it keeps a few weeks at room temperature. To avoid its becoming a bit grainy, you can add some corn syrup).
Chocolate glaze

Ingredients
225 g dark chocolate (60-65% cocoa), chopped
78 g butter
78 g corn syrup (to make the glaze shiny and softer)

  1. Gently melt the chocolate with the butter in the microwave or over a double boiler
  2. Stir in the corn syrup without incorporating air
  3. Use immediately or refrigerate and gently rewarm in the microwave or over a double boiler until fluid enough to pour (leftover glaze can be refrigerated for up to a month)

Assembling the tarts

  1. Use a microplane to smooth the upper edge of the tart shell, holding it parallel to the edge (never towards the center as the shell might break) (this step is optional and mostly intended to make a more professional looking dessert)
  2. Once the shells are ready, spray oil on an ice-cream scoop and put one tablespoon of caramel in each shell (a tip from the pro: if you want the shell to stay crisp longer, paint the inside with melted chocolate before pouring the caramel in)

  3. Tilt the shell to cover the bottom (if it doesn’t spread easily, use a small spatula)
  4. Put the shells in the freezer for 5 minutes so that the caramel gets firm
  5. When the caramel is firm, pour the 100-105 F crémeux over the caramel, leaving approximately 1/4 to 1/8″ of space at the top for the glaze, leveling it out quickly as it will set fast
  6. Chill or freeze until firmly set, at least 1 hour (the tart may be stored frozen at this point for up to 3 days)
  7. Once set, pour over enough warm chocolate glaze to cover the surface and quickly tilt the tart(s) for even coverage
  8. Chill or freeze until glaze is set, at least 1 hour
  9. Garnish the tart(s) as desired: edible gold leaf, fleur de sel, chocolate shavings, puffed rice covered with chocolate or other garnishes. The tarts can be stored in the refrigerator for up to 3 days, well wrapped.

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February 8, 2010 · Filed Under: Desserts & Sweets, Recipes · 7 Comments

Batard/baguette shaping: Gérard’s method

Last time I was up in Vermont, Gérard demonstrated his way of shaping a batard. I guess there are as many ways as there are bakers but I liked his way. Unhurried and gentle, it looked as if it were dictated by the dough itself.

At that point the student who was apprenticing with Gérard that week asked to be shown how to shape baguettes. Gérard evinced surprise at this request as he was clearly under the impression that he had been demonstrating it all along. That’s when I realized that what he calls a “baguette” is what we Parisians call a “bâtard”.
The confusion probably stems from the fact that he learned his trade in the Savoie region (a section of the French Alps that is close to both Switzerland and Italy) at a time when the Parisian baguette was an oddity outside the capital. Outside Paris, truly skinny breads were considered with suspicion. They were a “fantaisie” (a whim), not true bread. As Gérard says (only half-jokingly), real men didn’t eat baguette then and still don’t. His bakery isn’t equipped to produce baguettes, it lacks wide-enough boards and couches. He produces batards which he will call baguettes if pushed. No Parisian would call them that.

Gérard suggests that the beginner identify and count his or her movements when shaping batards and then analyze them one by one in order to eliminate those which aren’t truly necessary. Sometimes we overwork the dough out of sheer nervousness or excitement or because we think we need to rush.
Just as you don’t compete in the Tour de France when you first learn how to bike, in the same way, one cannot expect (or be expected) to roll out hundreds or even dozens of batards or baguettes a day before one has assimilated the basics. So take your time and get a feel for the dough (what it looks like and what it feels like).
With experience, shaping becomes a second nature. Only then does it make sense to try and speed things up. That’s Gérard’s advice and I like it. By the time I was done shaping a dozen or more “baguettes” his way, my seams looked way better than they ever did before.
Gérard was pleased and said I should be a baker! That comment went straight to my heart…

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January 31, 2010 · Filed Under: Artisans, Gérard Rubaud, Tips · 12 Comments

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Hello!

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My name is MC: formerly a translator,  now a serious home baker and a blogger. If you like real bread and love to meet other bakers, you are in the right place. Come on in...

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